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[Jan. 19th, 2007|08:42 am] |
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[Jan. 19th, 2007|08:41 am] |
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http://www.nytimes.com/pages/arts/music/index.html?partner=rssnyt
en-us
Copyright 2007 The New York Times Company
Thu, 18 Jan 2007 22:05:01 EST
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http://graphics.nytimes.com/images/section/NytSectionHeader.gif
http://www.nytimes.com/pages/arts/music/index.html
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http://www.nytimes.com/2007/01/19/arts/music/19buxt.html?ex=1326862800&en=85195318083a6745&ei=5088&partner=rssnyt&emc=rss
New York celebrates Dietrich Buxtehude, a master organist that Bach once walked 250 miles to hear play, with an organ festival at St. Thomas Church.
JAMES R. OESTREICH
http://www.nytimes.com/2007/01/19/arts/music/19buxt.html
Thu, 18 Jan 2007 20:35:34 EDT
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http://www.nytimes.com/2007/01/19/arts/music/19sieg.html?ex=1326862800&en=2a2c853ef24abfe4&ei=5088&partner=rssnyt&emc=rss
Scott Siegel is the quintessential scuffling, do-it-yourself-on-a shoestring producer working just below New York’s pop-culture radar.
STEPHEN HOLDEN
http://www.nytimes.com/2007/01/19/arts/music/19sieg.html
Thu, 18 Jan 2007 19:07:31 EDT
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http://www.nytimes.com/2007/01/19/arts/music/19mos.html?ex=1326862800&en=09653657b3ca2b92&ei=5088&partner=rssnyt&emc=rss
The intent of Mos Def’s show at Lincoln Center was to honor and protest, connecting music and politics. Sadly, the rapper just seemed uninterested in delivering.
BEN RATLIFF
http://www.nytimes.com/2007/01/19/arts/music/19mos.html
Thu, 18 Jan 2007 20:12:53 EDT
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http://www.nytimes.com/2007/01/19/arts/music/19rita.html?ex=1326862800&en=62067c7004e2e4c9&ei=5088&partner=rssnyt&emc=rss
“Little Tributes,” Rita Moreno’s breezy new cabaret act at the Cafe Carlyle, is a smooth, comfortable ride with a performer who knows who she is.
STEPHEN HOLDEN
http://www.nytimes.com/2007/01/19/arts/music/19rita.html
Thu, 18 Jan 2007 21:40:54 EDT
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http://www.nytimes.com/2007/01/19/arts/music/19conc.html?ex=1326862800&en=4278ac114f662446&ei=5088&partner=rssnyt&emc=rss
While Mr. Ashley’s texts are both engaging and provocative, it could be argued, in fact, that “Concrete” is more of a literary or theatrical work than a musical one.
ALLAN KOZINN
http://www.nytimes.com/2007/01/19/arts/music/19conc.html
Thu, 18 Jan 2007 17:58:46 EDT
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http://www.nytimes.com/2007/01/19/arts/music/19magg.html?ex=1326862800&en=c8058953849b6c6f&ei=5088&partner=rssnyt&emc=rss
Maude Maggart’s must-see “Good Girl/Bad Girl” at the Oak Room is the rare cabaret show that matters not only musically but sociologically.
STEPHEN HOLDEN
http://www.nytimes.com/2007/01/19/arts/music/19magg.html
Thu, 18 Jan 2007 17:40:32 EDT
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